From dance to performance

Performance  = scenic hybrid forms, not reducible to stable and consistent disciplinary categories and puting into play a singular perturbation of the audience ‘s perceptual habits.

Trying to understand the difference between shows the program named “dance” and those labeled “performance” :

in the latter, there is not a lot of dancing and the following question mainly arises : what is a show and what is a spectator?

Paris opera: the legacy that clutters choreography is exceptionally heavy, in terms of maintenance of hierarchical constraints, mono disciplinary  autism, technocratic and virtuosity precedences, obstinacy in the renewal of idealistic and sclerotic models of representation.

 

Source: http://www.franceculture.fr/emission-revue-de-presse-culturelle-d-antoine-guillot-trois-facettes-mouvantes-de-l-art-choregraphiq

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